5 Ways to Start a Story: Choosing a Bold Beginning | Now Novel (2023)

Great authors show us there are many ways to start a story. You could begin a novel with a narrator/character introducing himself, like Salinger’s Holden Caufield or Dickens’ David Copperfield. Or you could begin in the thick of action, asRay Bradbury’s does in his classic novel, Fahrenheit 451.

Ways to start a story that engage your reader

These five types of story beginnings work:

  1. Introduce readers to a memorable narrator-protagonist
  2. Begin with crucial memories
  3. Start with ambiguous action
  4. Lead with a purposeful prologue
  5. Open with the unexpected

Watch the summary video on ways to begin stories now, then read discussion of the story beginnings below:

Introduce readers to a memorable narrator-protagonist

This is how to start a story about a character coming of age or grappling with internal conflict. These novels typically use first person narration. From the first line, the reader gets to know a characterful narrator.

For example, Salinger’s Holden Caulfield in The Catcher in the Rye (1951) has a strong voice and clear, disaffected teen persona:

‘If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth.’

J.D. Salinger, Catcher in the Rye (1951)

This opening is effective because we get a strong sense of the character’s personality in his terse use of curse words, slang and adjectives (‘crap’, ‘lousy’). Being addressed directly by the narrator creates a sense of closeness and familiarity. This effect issimilar to Charlotte Bronte’s‘Reader, I married him’ in Jane Eyre.

Another strong example of this story opening type, the protagonist/narrator introduction, is Vladimir Nabokov’s Lolita (1955). Nabokov begins his novel with his depraved anti-hero, Humbert Humbert, musing on the name of Lolita, the young object of his obsession:

Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.

Vladimir Nabokov, Lolita (1955)

Nabokov’s opening is strong because personality and character psychology are present from the first line.

When you start a story with your main character introducing themselves, remember to:

  1. Give them a distinctive voice: The grandiose language of Humbert Humbert fits the character, asdo Salinger’s teen’s own cynical words.
  2. Show what matters to your character/narrator from the start: Holden values authenticity (‘if you want to know the truth’). We get a visceral sense of Humbert’s creepy obsession with Lolita through his rapture at even saying her name.
(Video) 5 effective ways to start your story with bold beginnings

Begin with crucial memories

Often novels open with narrators recalling memories that arecore to the plot. This is one of the ways to start a story that enables you to build on a strong hook.

Starting with memories requires knowing your character well, such as how their backstory guides their goals, motivations and potential conflicts.

This is especially common in novels where a single, unforgettable event casts its shadow over the rest of the book (e.g. the murder in a murder mystery).

Framing an event in your story through a character’s memory gives it weight. When you begin your novel with your main character remembering an earlier scene, it’s thus important to choose the right scene. As novel writing coach Romy Sommer says:

An issue I see with a lot of beginner writers is they tend to write the backstory as the story itself… that backstory is usually you as the writer writing it for yourself so you can understand the characters.

‘Understanding Character Arcs: How to create characters’, webinar preview here.

Choose a scene that shows adilemma or choice, or a powerfully emotional experience that is bound to have consequences for yourcharacter.

For example, Mark Haddon’s The Curious Incident of the Dog in the Night-timeopens with the 15-year-old narrator Christopher finding his neighbour’s murdered dog:

It was 7 minutes after midnight. The dog was lying on the grass in the middle of the lawn in front of Mrs Shears’ house. Its eyes were closed. It looked as if it was running on its side, the way dogs run when they think they’re chasing a cat in a dream. But the dog was not running or asleep. The dog was dead. There was a garden fork sticking out of the dog.

Mark Haddon, The Curious Incident of the Dog in the Night-time (2003)

Haddon’s opening is effective because it builds up to the revelation that the dog was killed violently. It’s effective because it raises questions we want answered.

When you begin with your narrator recalling a key memory, remember to:

  1. Choose a scene that immediately starts giving the reader keys to understanding: Haddon’s narrator proceeds to hug the bleeding dog, for example, so that we start to realise that Christopher is unusual in some way.
  2. Show the reader the memory: Haddon does not just say ‘Christopher found his neighbour’s dog, killed with a garden fork.’ We discover the dog through Christopher’s eyes, and this increases the scene’s impact.

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5 Ways to Start a Story: Choosing a Bold Beginning | Now Novel (2)

Start with ambiguous action

A little bit of mystery or confusion at the start of your novel can help to reel readers in.

At the same time, make sure your opening isn’t so mystifying that the reader bails in frustration.

Even if the purpose or reasons for yourambiguous opening aren’t clear at first, the action itself must sustain readers’ interest until there is more clarity.

Consider the opening of Ray Bradbury’s Fahrenheit 451:

It was a pleasure to burn.

It was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venemous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history.’

Ray Bradbury, Fahrenheit 451 (1953)

The first sentence is ambiguous – who, or what, is burning? The next slowly fills in context: We learn a character is using kerosene to burn something, to destroy ‘history’, but we still don’t know what exactly. We only learn by the end of the paragraph that the character Montag is burning books.

This way of beginning a story is effective because Bradbury prolongs a mixture of suspense and confusion, yet the character’s action itself is clear.

If you begin a book with ambiguous, teasing action:

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  • Give the reader answers to at least one (or some) of the ‘5 w’s’. We might not immediately know who is doing the burning (or what they’re burning), but Bradbury gives us a strong why: Pleasure. The relish with which Montag burns the books is clear
  • By the end of the first paragraph, give the reader a little more clarity, as Bradbury does

Lead with a purposeful prologue

‘Prologue’ literally means the ‘before word’. This separate introductory or prefatory section in a novel has several uses:

  • Giving broad historical context that paves the way for the main story
  • Showing a scene or event preceding the main narrative, whose consequences ripple through the following story

Donna Tartt uses the second type of prologue to excellent effect in her mystery novel The Secret History. Her prologue tells us that a character is murdered, that the narrator is somehow complicit, and that he will narrate the events that led up to the murder in the coming narrative.

This teaser makes it clear that motive, rather than identity, is the main mystery behind the killing.

Tartt’s prologue wastes no time in revealing key information that shapes our expectations for the main story:

The snow in the mountains was melting and Bunny had been dead for several weeks before we came to understand the gravity of our situation. He’d been dead for ten days before they found him, you know.

Donna Tartt, The Secret History (1992).

By immediately framing the story around Bunny’s murder and its aftermath, Tartt’s prologue directs our attention to the ground the coming story will cover. Not the fact of Bunny’s death but the swirl of events that spin out from this crime. It marks outa path into reading and making sense of thestory.

Do you want to include a prologue in your book? Ask:

Do the events in the first part of your book need telling explaining prior events?

If yes, why?

In Tartt’s case, giving away key events in the prologue is smart, structurally. Because the identity of the murder victim (and at least one person responsible) is revealed early, the main narrative of the story is free to focus on character motivations and consequences and not justcrime-solving.

Would your story flow better if you told earlier events via character flashbacks or a prologue?

Try writing a scene as a prologue, then write the same scene as a flashback. Which fits the scene better?


If you’re unsure how to start your novel, our writing coaches will help you get on track.

Open with the unexpected

The most memorable story openings surprise us and make us pause for a moment.

Take Bradbury’s beginning to Fahrenheit 451 above, ‘It was a pleasure to burn.’ It’s unexpected.

This is partially because of its inner contradiction. We know that getting a burn from a hot plate is painful, and the idea of pleasure is thus surprising.

The ambiguity of ‘it’ means we don’t know initially whether the narrator is describing an odd pleasure in burning himselfor burning something else.

Examples from famous books revealthis has always been one of the popular ways to start a story. For example, Dodie Smith opens I Capture the Castle (1949):

‘I write this sitting in the kitchen sink.’

The narrator Cassandra’s choice of sitting place is unusual, intriguing us to read the next sentence. Whichever way you choose to begin your novel, getting the reader to read the second sentence is the first, crucialfeat.

Start your own novel now: brainstorm story themes, settings and characters and get helpful feedback from the Now Novel community.

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  • How to start a novel: Hook readers from page one
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What are the 5 ways to start a story? ›

Starting Stories: 5 Great Beginning Strategies
  1. Strategy 1: Begin with action or dialogue. ...
  2. Strategy 2: Ask a question. ...
  3. Strategy 3: Describe the setting. ...
  4. Strategy 4: Begin with background information. ...
  5. Strategy 5: Have the main character introduce himself or herself.

What are the 5 questions you should answer when writing a story? ›

So, without further ado here are 5 essential questions to plot out your story.
  • What is your character's situation at the start of the story? ...
  • What is the inciting incident? ...
  • What obstacles does your character encounter? ...
  • What happens to make the situation worse? ...
  • What is the final resolution?
Jun 23, 2020

How do you begin a novel beginning? ›

6 Tips for Writing a Great Opening Line
  1. State your theme. ...
  2. Begin with a strange detail. ...
  3. Establish your character's voice. ...
  4. Introduce your narrative style. ...
  5. Convey the stakes. ...
  6. Set the scene.
Nov 12, 2021

What are the 5 story structure? ›

What Is the Five-Act Structure? The five-act structure is a formula that breaks a story into distinct sections: the exposition, rising action, climax, falling action, and resolution.

What are the 5 stages of plot in a story? ›

  • Exposition.
  • Rising Action.
  • Climax.
  • Falling Action.
  • Resolution.

What are the 6 steps of a story? ›

The 6 Elements of Plot
  • Exposition. At the beginning of the story, the exposition establishes characters and setting. ...
  • Inciting Incident. ...
  • Rising action, or Progressive Complications. ...
  • Dilemma (or crisis, according to Story Grid). ...
  • Climax. ...
  • Denouement or Resolution.
Jan 4, 2023

What is a good beginning for a story? ›

Pose a question; introduce a character; set a scene; lure them in with enticing prose; lay a clue to the direction the novel is going to take; plant the seeds of an idea; create a dramatic impression; give them a taste of action.

What are the 10 steps to writing a story? ›

10 Steps To Writing A Novel
  1. Idea. It starts with an idea. ...
  2. General plot. What is the novel about? ...
  3. Character. I tend to move away from plot once I have the elevator pitch down. ...
  4. A synopsis. Ah, the synopsis. ...
  5. Write! I do a first draft where I essentially write up the above synopsis. ...
  6. Read. ...
  7. Re-write. ...
  8. Prose edit.
Apr 28, 2016

What are the 5 main questions? ›

They include Who, What, When Where, and Why. The 5 Ws are often mentioned in journalism (cf. news style), research, and police investigations.

What are the 7 important parts to a story? ›

Effective, compelling stories contain:
  • 1 — A Theme. Plot (#5) is what happens in a story, a theme is why it happens—which you need to know while you're writing the plot. ...
  • 2 — Characters. I'm talking believable characters who feel knowable. ...
  • 3 — Setting. ...
  • 4 — Point of View. ...
  • 5 — Plot. ...
  • 6 — Conflict. ...
  • 7 — Resolution.
Aug 28, 2020

What are the 5 beginning parts of a book? ›

The front matter includes:
  • Title page. The title page contains the title of the book, the subtitle, the author or authors, and the publisher.
  • Copyright page. ...
  • Dedication. ...
  • Table of contents. ...
  • Foreword. ...
  • Acknowledgments. ...
  • Preface or Introduction. ...
  • Prologue.
Mar 17, 2020

What is a strong opening sentence? ›

Start with the chase. A good hook might also be a question or a claim—anything that will elicit an emotional response from a reader. Think about it this way: a good opening sentence is the thing you don't think you can say, but you still want to say. Like, “This book will change your life.”

What makes a good introduction to a novel? ›

An attention-grabbing sentence needs to lead into something that keeps them—a short story, example, statistic, or historical context that introduces the subject in a way that is interesting and exciting—and will engage the reader and compel them to read more, and lead them into the rest of the material.

What are the first 4 C's of storytelling? ›

Curiosity, crescendo, coherence and change. No matter what kind of story you're navigating, whether you want to follow a well-charted plan or drift with the wind, let the Four Cs be your compass.

What are the tips to start a story? ›

8 Great Ways to Start the Writing Process
  1. Start in the Middle. If you don't know where to start, don't bother deciding right now. ...
  2. Start Small and Build Up. ...
  3. Incentivize the Reader. ...
  4. Commit to a Title Up Front. ...
  5. Create a Synopsis. ...
  6. Allow Yourself to Write Badly. ...
  7. Make Up the Story as You Go. ...
  8. Do the Opposite.

What are the 5 types of short stories? ›

Short Fiction Forms: Novella, Novelette, Short Story, and Flash Fiction Defined
  • Novella. A work of fiction between 20,000 and 49,999 words is considered a novella. ...
  • Novelette. A novelette falls in the range of 7,500 to 19,999 words. ...
  • Short story. ...
  • Flash fiction. ...
  • Short Fiction Challenge.


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